| ABRAHAM PAUL | Grobes Potpouri (opeetta) piano | ||
| ABSIL JEAN | Impromptu op.10 nr. 1,2,3 (piano) | ||
| ABSIL JEAN | Sonatine op.27 (piano) | ||
| ALBENIZ I. | Iberia (piano) | ||
| ALBENIZ I. | Seguidillas op.232 no.5 (piano) | ||
| ALBENIZ I. | Serenata Arabe | ||
| ALBENIZ I. | Sevilla piano solo | ||
| ALBENIZ I. | Suite Espanole “Aragon” no VI-Fantasia (piano) | ||
| ALBENIZ I. | “El puerto” from Iberia Suite (piano) | ||
| ALBENIZ J. | Malaguena op.165,nr.3 (piano) | ||
| ALBERTI H. | Die Nachtigall von Aliabjew op.42, no.6 (piano) | ||
| ALBUM | Copozitori Romani Contemporani (piano) | ||
| ALBUM | Compositerurs russes (piano) | ||
| ALBUM | Tanzedes Roko Band II (piano) | ||
| ALBUM | Ελληνικά και ξένα Κάλαντα | ||
| ALBUM | Ελληνικα,Αλβανικα και Ρουμανικα λαικα τραγουδια | ||
| ALBUM – OUVERTUREN (PIANO) | 1. L. Van Beethoven “Egmont” “Fidelio” 2.E.H. Mehul “Joseph” 3.M. W. Bulfe “Die Ziguenerin” 4. F. Mendelssohn-Bartholdy “Sommernachtstraum” 5.P. Cornelius “Der Barbier von Bagdad” 6. G. Rossini “Die diebische Elster” | ||
| ALBUM – PIANO | Il Transilvano (piano) | ||
| ALBUM – PIANO | Das Meisterbuch Band 2 (piano) | ||
| ALBUM – PIANO | Stimmen der Meister-The Great Masters (piano) | ||
| ALBUM – VOICE | 25 Ελληνικά τραγούδια (voice & piano) | ||
| ALBUM – ΤΡΑΓΟΥΔΙΑ ΠΑΡΑΔ. | Τα Τραγούδια των Ιονίvν Νήσων | ||
| ALBUM | SCHULHOFF JULES Polonaise op.44 (piano) EGGHARD JULES La Campanella – Impromptu (piano) GOTTSCHALK L.M. La Jota Aragonesa – Caprice Espagnol op.14 (piano) MAYER CH. L’etoile – Polka Elegante op.221 (piano) WALLACE W.V. Gentillesse (piano) VOSS PAUL Fleurette – Valse (piano) FAUST C. Haute – Volee – Polka op.18 (piano) | ||
| ALBUM HAMPTON MINIATURE ARROW VALUME 10 OPERA OVERTURES SCORE | M. GLINKA -Russlan and Ludmilla Engelbert Humperdinck – Hansel and Gretel Otto Nicolai – The Merry Wives of Windsor Friedrich Smetana – The Bartered Bride Johann Strauss Jr – The Beat (Die Fledermans) The Gipsy Baron Ambroise Thomes – Mignam | ||
| ALBUM -GREEC COMP | Έργα Ελλήνων συνθετών του εικοστού Αιώνα (πιανο) | ||
| ALBUM-GUITARE | Donizetti, Verdi, Bize, Beethoven……… (voice & piano) | ||
| ALBUM-MINIATURES ORCHESTRE | Grundman Sparke Bernstein/Grundman Tull Chance | ||
| ALBUM-PIANO | Das Meister Buch -Berubmte Klaviermusik-Band I | ||
| ALBUM-SONATES | Padre Antonio Soler Mateo Albeniz Cantallos Blas Serrano Mateo Aerrer | ||
| ALBUM-PIANO | Die bsten tango for piano | ||
| ALBUM-VOICE | Aberbach | ||
| ALBUM-VOICE | Aktuell und international | ||
| ALBUM-VOICE | Wiener Lieder | ||
| ALBUM-VOICE | Διάφορα τραγούδια (φωνή & πιανο) | ||
| ALEXANDROW ANATOL | KlassischeSuite op.32 for kleines Orchester (full score) | ||
| ALMARAN CARLOS | “Histiry of Love (orchestre) | ||
| ANDKES J.M.C. | Chijo de la Luna Επεξ. Και ενορχ. Ν. Αστρινίδη (orchestre) | ||
| ANDRICO MICHEL | Sonatine pour piano op.12 (piano) | ||
| ANDRICU MIHAIL G. | Suita Pedru Pian op.81 (piano) | ||
| ARENSKY A. | Douze Etudes op.74,nr.7 (piano) | ||
| ARENSKY A. | Bigarrures d-moll op.20,nr.2 (piano) | ||
| ARENSKY A. | Bigarrures B-dur op.20,nr.3 (piano) | ||
| ARENSKY A. | Barcarolle F-dur (piano) | ||
| ARENSKY A. | Skizze op.24,nr.2 (piano) | ||
| ARENSKY A. | Etude op.74,nr.3 Des-dur (piano) | ||
| ARENSKY A. | Etude op.74,nr.10 Fis-dur (piano) | ||
| ARENSKY A. | Concerto for piano op.2 (2 piano) | ||
| ASCHER JASEPH | La Traviata- Grand Caprice de Concert op.60 (piano) | ||
| ASCHER JASEPH | Danse Espagnole op.24 (piano) | ||
| ASRIEL ANDRE | Songs und Balladen (piano & voice) | ||
| ASTRINIDIS NIKOLAOS | “Ελληνική” Ραψωδία Κοντσέρτο για βιολί και ορχήστρα (ή πιάνο)*3 | ||
| ASTRINIDIS NIKOLAOS | Deux Preludes op.14 (piano)*6 | ||
| ASTRINIDIS NIKOLAOS | Rapsodie Chypriote op.11 (2 piano) Μεταγραφή Μαρία Γεωργιάδου | ||
| ASTRINIDIS NIKOLAOS | Rapsodie Chypriote op.11 (piano)*6 | ||
| ASTRINIDIS NIKOLAOS | Danse Greque op.16 b (piano)*4 | ||
| ASTRINIDIS NIKOLAOS | Toccata (piano) | ||
| ASTRINIDIS NIKOLAOS | “Κύριλλος και Μεθόδιος” | ||
| ASTRINIDIS NIKOLAOS | Φωτοτ. Ελληνικών Τραγουδιών | ||
| ASTRINIDIS NIKOLAOS | Εργασίες μαθητών και καταστάσεις εξετ. | ||
| AUBER CHANTAL | Cricket (piano) | ||
| AUBIN TONY | Sonate h-moll (piano) | ||
| BACH J. S. | Partita I (piano) | ||
| BACH J. S. | Passacaglia in c-moll (piano) | ||
| BACH J. S. | Capricccio sur le depart de son frere bien-aime (piano) | ||
| BACH J. S. | Toccata op.11 (piano) | ||
| BACH J. S. | Prelude C-dur, Fantaisie a-moll (piano) | ||
| BACH J. S. | Prelude από την σονάτα για βιολί E dur | ||
| BACH J. S. | Toccata und Fuge D-dur (piano) | ||
| BACH J. S. | Concerto for piano nr II (piano) | ||
| BACH J. S. | Bourree de la 2e Sonate de Violon nr 4 (piano) trascriptions pour piano Saint-Saens | ||
| BACH J. S. | Gavotte de la 6e Sonate de Violon nr 10 (piano) trascriptions pour piano Saint-Saens | ||
| BACH J. S. | Eunleitung aus der Messe h-moll (piano) | ||
| BACH J. S. | Prelude & Fugue (piano) | ||
| BACH J.S. | Jesu, Jou of man’s Desiring-Chorale from Cantata nr.147 (2pianos) | ||
| BACH J.S. | Concerto, Fantasia cromatica e Fuga, Fantasia c-moll, Preludio con Fuga a-moll | ||
| BACH J.S. | Toccata d-moll (organ) | ||
| BACH J.S. | Concerto for piano d-moll (2 pianos) | ||
| BACH J.S. | Suite Francesi (piano) | ||
| BACH J.S. | Partita nr. I,II,III (PIANO) | ||
| BACH J.S. | Prelude udd Fugue in a-moll (piano) | ||
| BACH J.S. | Album 1-Partitas op.1nr.1-4, 2-Partitas nr.4-6 , 3- Toccta con fuga g-moll, Preludio con Fuga a-moll,Fantasia con Fuga D-dur 4. Toccata con Fuga in e-moll, fis-moll c-moll, d-moll (piano) | ||
| BACH J.S. | Toccata e Fuga d-moll Alfred Cortot (piano) | ||
| BACH J.S. | Burre (piano) | ||
| BACH J.S. | Organ prelude G.Minor (arranged by A.Siloti) | ||
| BACH J.S. | Orgelwerke Band I | ||
| BACH J.S. | Jesu, Joy of Man’s Desiring-Chorale from Cantata nr.147 (2 piano) | ||
| BADARZEWSKA THEELA | |||
| BADURA-SKODA PAUL | Mozarts Klavierkonzert in c-moll (piano) | ||
| BAINES WILLIAM | Tides- Two pieces for pianoforte (piano) | ||
| BAINES WILLIAM | Silverpoints (piano) | ||
| BAKFARK VALENTINI | Opera Omnia III – Διάφορα έργα | 1938 | |
| BALAKIREW MILI | Album-Selected piano pieces II (piano) | ||
| BALAKIREW MILI | Islamey- Fantaisie orientale (piano) | ||
| BALAKIREW MILI | Toccata (piano) | ||
| BALAKIREW MILI | Scherzo (piano) | 1931 | |
| BALAKIREW MILI | Sonate (piano) | ||
| BARBER SAMUEL | Nocturne op.33 (piano) | ||
| BARBER SAMUEL | Adagio for stings(ful score) | ||
| BARBU-BUCUR SEBASTIAN | Filothei sin agai JIPEI, psaltichie Rumaneasca -Anastasimatar II (bizantina) | Mocow 1966 | |
| BARTOK BELLA | Mikrokosmos vol.6 (piano) | *2 | |
| BARTOK BELLA | Rumänische Volkstänze piano solo | ||
| BARTOK BELLA | Improvisations op.20 (piano) | ||
| BARTOK BELLA | Sonate (piano) *2 | ||
| BARTOK BELLA | Sonatine (piano) | ||
| BARTOK BELLA | Evening in the country nr1 from Hungarian Sketches (piano) | ||
| BARTOK BELLA | Zwei Rumanische Tanze op.8/a (piano) | ||
| BARTOK BELLA | Concerto for piano nr.3 (2 piano) | ||
| BASSA JOSE | Menuet chante | ||
| BATON RENE | Prelude in d-moll (piano) | ||
| BATON RHENE | “En Bretagne” op 13 nr 6 (piano) | ||
| BEETHOVEN L. VAN | Symphonie no.1-5 (piano) | ||
| BEETHOVEN L. VAN | Ouverture zu Goethes Tranerspiel EGMONT op 84 (1810) | ||
| BEETHOVEN L. VAN | Symphonien no 6-9 (piano a 4 mains) | ||
| BEETHOVEN L. VAN | Cavatine aus Beethoven’s Quartett op.130 (piano) | ||
| BEETHOVEN L. VAN | Diabelli-Variationen o-p.120 (piano) | ||
| BEETHOVEN L. VAN | Sieben Bagatellen op.33 (piano) | ||
| BEETHOVEN L. VAN | Rondo op.51,nr.1 (piano) | ||
| BEETHOVEN L. VAN | Sechs Bagatellen op.126 (piano) | ||
| BEETHOVEN L. VAN | Sonaten op.10 nr.3 D-dur (piano) | ||
| BEETHOVEN L. VAN | Fantasie c-mollop.80 (piano,choir,orchester)) | ||
| BEETHOVEN L. VAN | “Στο σκοτεινό μυ μνήμα”-In questa tomba” (voice+piano) | ||
| BEETHOVEN L. VAN | Sonate op.106 B-dur (piano) | ||
| BEETHOVEN L. VAN | Sonate op.81a (26) (piano) | ||
| BEETHOVEN L. VAN | TRIOS BAND I (TRIOS 1-6) fur klavier,violine und violoncello-VIOLINE | ||
| BEETHOVEN L. VAN | TRIOS BAND I (TRIOS 1-6) fur klavier,violine und violoncello-VIOLONCELLO | ||
| BEETHOVEN L. VAN | Cadenza Concerto nr.1 C-dur op.87,nr.7 | ||
| BEETHOVEN L. VAN | Cadenza Concerto nr.1 C-dur op.87,nr.6 | ||
| BEETHOVEN L. VAN | Sonatas violin & piano op.12,23,24 (violin & piano) | ||
| BEETHOVEN L. VAN | Concerto for piano V op.73 Es-dur (2 pianos) | ||
| BEETHOVEN L. VAN | Concerto for piano op.37,nr. III c-moll (2 pianos) 2 Τεύχη | ||
| BEETHOVEN L. VAN | Concerto for piano op.61 (piano) | ||
| BEETHOVEN L. VAN | Sonatas Vol.II (piano) | ||
| BEETHOVEN L. VAN | Andante 9 (piano) | ||
| BEETHOVEN L. VAN | Concerto for piano nr II (2 pianos) op. 19 | ||
| BEETHOVEN L. VAN | Varietions for pino | ||
| BEETHOVEN L. VAN | Sonaten Band I (piano) | ||
| BEETHOVEN L. VAN | Symphonies Band II op.68 ( piano a 4 mains) | ||
| BEETHOVEN L. VAN | Concerto for piano op.58, nr.4 (2 piano) *2 | ||
| BEETHOVEN L. VAN | Concerto for piano op.19 B flat -dur (2 piano) | ||
| BEETHOVEN L. VAN | Concerto for piano op.19, nr.2 B flat -dur (2 piano) | ||
| BELCHER SUPPLY | The Harmony of Maine 1794 (choruses) | ||
| BELLINI VINCENZO | Norma Opera in 2 acts (orchestre & voice) | ||
| BERGSMA WILLIAM | Suite for Brass Quartet (full score) | ||
| BERLIOZ HECTOR | Instrumentatie (orkiestra) | ||
| BERLIOZ HECTOR | Scene Heroique (orchestre) | ||
| BERNSTEIN LEONARD | The Age of Anxiety- Symphony nr.2 for piano and orchestra (2 pianos) | ||
| BEYER FERDINANDO | Bouquet de melodies (La Traviata op.42 (piano) | ||
| BEYER FERDINANDO | Potpourri – Aida op.36 (piano) | ||
| BILLINGS WILLIAM | Retrospect (choruses) | ||
| BILLINGS WILLIAM | The Lord is ris’n indeed (choruses) | ||
| BILLINGS WILLIAM | Two Easter Anthems (choruses) | ||
| BIZET GEORGES | L’ARLESIENNE Suite Nr.2 (orchester) | ||
| BIZET GEORGES | Carmen-aria La Que….. (voice & piano0 | ||
| BIZET GEORGES | Carmen Partitur (orchester) | ||
| BLOCH ERNEST | Concerto Grosso nr.II for strings – piano | ||
| BLOCH ERNEST | Concerto Grosso nr.II for strings | ||
| BLOCH ERNEST | Concerto Grosso for String Orchestra and Piano obbligato-VIOLONCELLO*2 | ||
| BLOCH ERNEST | Concerto Grosso for String Orchestra and Piano obbligato-VIOLA*2 | ||
| BLOCH ERNEST | Concerto Grosso for String Orchestra and Piano obbligato-CONTRABASS*2 | ||
| BLOCH ERNEST | Concerto Grosso for String Orchestra and Piano obbligato-2 VIOLIN | ||
| BLOCH ERNEST | Scherzo Fantasque for piano and Orchestra (2 pianos) | ||
| BLOCH ERNEST | Concerto Symphonique (piano& orchestre) | ||
| BLOCH ERNEST | Sonata (piano) | ||
| BLOCH ERNEST | Concerto grosso for orchestra with piano obbligato | ||
| BOCCHERINI LUIGI | Koncert E-dur (solo chitarra) | ||
| BOCCHERINI LUIGI | Koncert E-dur for chitarra (piano&chitarra) | ||
| BOEKEL MEINDERT | Ballade Harmonic-fanfare | ||
| BOEKEL MEINDERT | Concertino (directie+piano) | ||
| BOELLMANN L. | Toccata (piano) | ||
| BOIELDIEU A. | Ouverture zur Oper “Der Calif von Bagdad” (piano) | ||
| BORBOLLA CARLO | Tres Sonatinas | ||
| BORBOLLA CARLO | Cinco piezas para piano (piano) | ||
| BOREL A. | Divertissement (piano) recznie pisane | ||
| BORGMANN HANS-OTTO | Tango Notturno “Θυμήσου μια βραδυά” | ||
| BORODIN A. | Mazurka (piano) | ||
| BORODIN A. | Polovetsian Dances from opera” Prince Igor” full score | ||
| BORODIN A. | III Symphonia a-moll ημιτελής “Μέση Ανατολή” (piano) | ||
| BORODIN A. | Im Kloster (piano) | ||
| BOZZA E. | Pulcinella op.53 (piano) | ||
| BRAHMS JOHANNES | Symphonie D-dur op.73 (piano) | ||
| BRAHMS JOHANNES | Rhapsodien op.79 (piano) | ||
| BRAHMS JOHANNES | 3 Intermezzi et Rhapsodie op.119 (piano) | ||
| BRAHMS JOHANNES | Variations et Fugue sur un Theme de Haendel op.24 (piano) | ||
| BRAHMS JOHANNES | Walzer op.39 (piano) | ||
| BRAHMS JOHANNES | Presto nach J.S.Bach (piano) | ||
| BRAHMS JOHANNES | Sonata fis-moll op.2 (piano) | ||
| BRAHMS JOHANNES | Sonata fis-moll op.2 (piano0 | 1910 | |
| BRAHMS JOHANNES | Concerto for piano in B flat – Dur op.83 (2 piano) | ||
| BRANSON DAVID | Romanza from second concerto J. Field (piano) | ||
| BRANSON DAVID | “Sailor Lad” Useful Teaching Pieces (piano) | ||
| BRANSON DAVID | Mediterranean for piano and strings (2 piano) | ||
| BRAUTIGAM VOLKER | Epitaph fur Maksimilian Kolbe (orgel) | ||
| BREDICEANU TIBERIU | Pagini alese din muzica instrumentala (piano) | ||
| BREDICEANU TIBERIU | Jocuri Populare Romanesti pentru pian (piano) | ||
| BRITEN BENJAMIN | Four sea-INTERLUDES op 33a from the opera ” Peter Grimes” (score – orkiestra) | ||
| BRITEN BENJAMIN | Night – Pieces , Notturno (piano) | ||
| BRITEN BENJAMIN | Five Walztes (piano) | ||
| BRITEN BENJAMIN | Variacions and Fugue on a theme pourcel op.34 (orchestra) | ||
| BRITTEN BENJAMIN | Concerto for piano op.13 (2 pianos) | ||
| BRITTEN BENJAMIN | Concerto for piano op.13 (2 pianos) | ||
| BROUWER LEO | Concerto Elegiaco , Concerto nr.3 pour guitare et Orchestre (guitare & orchestre) | Mocow 1955 | |
| BRUCH MAX | Concerto pour violon avec acc d’Orchestre op.26,nr.1 | ||
| BUCHARDO CARLOS LOPEZ | Bailecito (piano) | ||
| BULGHARDT HANS-GEORG | Phantasiestucke und praludien op.56,1 | ||
| BURNIER LUCIEN | Ombres et Lumiere sur L’Acropole (piano) | 1837 | |
| BUZONI FERICCO | 6 Etude (poliphonia), 6 Etude (Paganini-Liszt) | ||
| BUXTEHUDE DIETRICH | Prelude und Fuge (piano) | ||
| BYRD WILLIAM | Pavane ” The Earle of Salisbury” (piano) | ||
| CABRAL GEORGE | Charming Trimidad (voice+piano) | ||
| CASELLA ALFREDO | Barcarola | ||
| CASELLA ALFREDO | Barcarola (piano) | ||
| CASTELNUOVO-TEDESCO MARIO | Fantasia op.145 for piano & guitare(piano & guitare) | ||
| CASTELNUOVO-TEDESCO MARIO | Concerto in C op.,nr.2 160 (Chitarra) | ||
| CASTELNUOVO-TEDESCO MARIO | Concerto in C op.160,nr.2 (Chitarra & piano)) | ||
| CASTELNUOVO-TEDESCO MARIO | Concerto nr.1 in D-dur (guitare & piano) | ||
| CERVANTES IGNAZIO | Sdix Cuban Dances (piano) | ||
| CHANCE JOHN BARNES | Symphony nr.2 for Winds and Percussion | ||
| CHATSCHATURJAN A. | Valse-Caprice Tanz (piano) | ||
| CHODOROWSKI G. | Villanella op.89 (piano) | ||
| CHOPIN FRYDERYK | Ballate (piano) | ||
| CHOPIN FRYDERYK | Fantasie op49 (piano) | ||
| CHOPIN FRYDERYK | Waltz in E Flat (miniatura) (piano) | ||
| CHOPIN FRYDERYK | Valse in a-minor (piano) | ||
| CHOPIN FRYDERYK | Mazurka in D, Contredanse (piano) | 1952 | |
| CHOPIN FRYDERYK | Nocturne in C moll (piano) | 1937 | |
| CHOPIN FRYDERYK | Rondo op.73 (2 piano) | ||
| CHOPIN FRYDERYK | Album nr.1 | ||
| CHOPIN FRYDERYK | Mazurkas band II (piano) | ||
| CHOPIN FRYDERYK | Ballades nr.1,op.23-nr.2,op.38 -nr.3,op.47-nr.4,op.52 (piano)-Ed. Cortot | ||
| CHOPIN FRYDERYK | Polonaises (piano) Ed. Cortot | ||
| CHOPIN FRYDERYK | Scherzo (piano) | ||
| CHOPIN FRYDERYK | Sonaten op.4, op.35, op.58 (piano)*2 | ||
| CHOPIN FRYDERYK | Scherzo II op.31 (piano) | 1953 | |
| CHOPIN FRYDERYK | Grande Polonaise Brillante op.22 (2 pianos) | ||
| CHOPIN FRYDERYK | Concerto for piano e-moll op.11 (2 pianos) | ||
| CHOPIN FRYDERYK | Polonaise num.3 | ||
| CHOPIN FRYDERYK | Bolero op.19 (piano) | ||
| CHOPIN FRYDERYK | Berceuse op.57 (piano) | ||
| CHOPIN FRYDERYK | Valse e-moll oeuvre posthume (piano) | ||
| CHOPIN FRYDERYK | Piano-Werke 1. “La ci darem la mono” Varie.op.2 2. Fantasie sur des airs polonais op.13 3. Krakowiak op.14 4. Grande Polonaise op.22 (piano) | ||
| CHOPIN FRYDERYK | Edudes (piano) | ||
| CHOPIN FRYDERYK | Polonaises (piano) | ||
| CHOPIN FRYDERYK | Valse (piano) | ||
| CHOPIN FRYDERYK | Concerto for piano op.21 f-moll (2 piano) | ||
| CIMAROSA DOMENICO | Il Matrimonio Segreto Canto e pianoforte (voices & piano) | ||
| CLAYDERMAN RICHARD | The piano solos of 2 (piano) | ||
| CLEMENTI M. | Toccata (piano) | ||
| COGAR MIHOVII | Muzika za klavire | 1937 | |
| CONSTANTINESCU PAUL | Toccata din ” Trei piese pentru pian” (piano) | ||
| CONSTANTINESCU PAUL | Concerto for piano & orchestra | ||
| CONSTANTINESCU PAUL | Concerto for piano & orchestre (2pianos) | ||
| CONSTANTINESCU PAUL | Douna Colindie (piano) | ||
| CONSTANTINIDIS YANNIS | Sonatineno 2 for piano | ||
| CORELLI ARCANGELO | Concerto grosso nr.8 (sring orchestra)*2 | ||
| CORRETTE MICHEL | Airs (piano & flute) | ||
| COUPEREN F. | Fracuska klavesynska muzyka tom II (piano) | ||
| CRAMER-BULOW | 60 Studi (piano) | ||
| CRAXTON HAROLD | An Album Leaf (piano) | ||
| CRESTON PAUL | Sonata op.9 (piano) | ||
| CRUZ IVO | Aguarelas (piano) | ||
| CRUZ IVO | Aguarelas nr.2 “Caem Miosotis” (piano) | ||
| CUI C. | Far Niente op.40, no.2 (piano) | ||
| CURZON FREDERIC | Robin Hood – Suite (Directie B flat) | ||
| CZERNY CARL | Schule des Virtuosen op.365 (piano) | ||
| CZERNY CARL | 50 Σπουδες δεξιοτεχνιας | ||
| CZERNY CARL | Η τεχνη του δακτυλισμου | ||
| CZERNY CARL | 40 Ασκησεις ταχυτητας οπ.299 | ||
| CZERNY CARL | 30 Σπουδες ευκινησιας οπ.849 | ||
| DAVIS BENNY | Mein Schiff fährt zu dir (τραγύδι) * 2 | ||
| DE CURTIS ERNESTO | Non ti scordardime μη με ξεχνάς (voice+piano) | ||
| DE FALLA MANUEL | Danse du Meunier (piano) | ||
| DE FALLA MANUEL | Seguidille (piano) | ||
| DE FALLA MANUEL | Danse du meunier (piano) *2 fototipia | ||
| DE FALLA MANUEL | Deux Danses Espagnoles (piano) | ||
| DE FALLA MANUEL | Pieces Espagnoles (piano_ | ||
| DEBUSSY CLAUDE | Children’s Corner (piano) | ||
| DEBUSSY CLAUDE | Suite Bergamasque (piano) | ||
| DEBUSSY CLAUDE | Images (piano) | ||
| DEBUSSY CLAUDE | Ballada (piano) | ||
| DEBUSSY CLAUDE | Danse (piano) | ||
| DEBUSSY CLAUDE | The litle nigar (piano) | ||
| DEBUSSY CLAUDE | Preludes I for solo piano (piano) | ||
| DEBUSSY CLAUDE | Preludes II for solo piano (piano) | ||
| DEBUSSY CLAUDE | Douze Etudes (piano) | ||
| DEBUSSY CLAUDE | Danseuses de Delphes (piano) | ||
| DEBUSSY CLAUDE | La Terrasse des Audiences du Clair de Lune (piano0 | ||
| DEBUSSY CLAUDE | Fantaisie pour piano et orchestre (2 pianos) | ||
| DELABORDE E.M. | Grande Fantaisie de Concert sur Carmen G.Bizet op.8 (piano) | ||
| DELIBES LEO | Copelia (Ballet en 3 actes) nr.1 – 21 airs de ballet (piano) | ||
| DELIBES LEO | Sylvia (Ballet en 3 actes) nr.10 – 12 airs de ballet (piano) | ||
| DELIOUX CH. | Marche du songe d’une nuit d’ete (piano) | ||
| DELLO JOIO NORMAN | Trio for Flute, Cello and piano | ||
| DESSAU PAUL | Les Voix -Die Stimmen (piano &voix) | Mocow 1931 | |
| D’HAEYER FR.C. | Het daghet in den Oosten (Directie B flat) | ||
| DIAZ EUGENE | Benvenuto opora en 4 Actesa et 6 Tableaux (voice+piano) | ||
| D’INDY VINCENT | Symphonie op.25 (2 pianos) | ||
| DONIZETTI G. | Lucia di La mer moor Operin 3 Akten (piano) | ||
| DONIZETTI G. | Lucia da Lammermoor Act III (orchestra) | ||
| DONIZETTI G. | Lucia da Lammermoor Act II (orchestra) | ||
| DONIZETTI G. | Lucia da Lammermoor Act I (orchestra) | ||
| DONIZETTI G. | Lucia da Lammermoor (Violino I ) | ||
| DONIZETTI G. | Lucia da Lammermoor (Violino II ) | ||
| DONIZETTI G. | Lucia da Lammermoor (Viola) | ||
| DONIZETTI G. | Lucia da Lammermoor (Bassi) | ||
| DONIZETTI G. | Lucia da Lammermoor (Celli) | ||
| DORING C.H. | Etuden op.46 Helf 3 nr.12-18 (pianos) | ||
| DRDLA FRANZ | Concertino op.225 (piano & violine) | ||
| DUCHOW MARVIN | Passacaglia (piano) | ||
| DUCHOW MARVIN | Chant Intime (piano) | ||
| DUMITRESCO C. | Danse Villageoise op.157 (piano) | ||
| DUMITRESCO C. | Danse Villageoise op.157 (piano + cello) | ||
| DURKO ZSOLT | Movements for tuba and piano | ||
| DVORAK ANTON | Slavonic Dances (piano a 4 mains)*2 | ||
| ELINESCU P. | O Idila (piano) | ||
| ENACOVICI GEORGES | Paysage – Paraphase sur un air populaire roumain (piano) | ||
| ENESCO GEORGES | Sarabande op.10,nr.2 (piano) | ||
| ENESCO GEORGES | Taccata op.10,nr.1 (piano) | ||
| ENESCO GEORGES | Suite “Dans le style ancien”-Prelude op.5 (piano) | ||
| ENESCO GEORGES | Sept Chansons de Clement Marot op.15 (piano & voice) | 1954 | |
| ENESCO GEORGES | Oedipe op.23 (piano & voice) | ||
| ENESCO GEORGES | Romanian Rhapsody nr.1 A-dur (2 pianos) | ||
| ENGEL J. | A Wreath of Jewish Popular Songs op.41 (piano) | ||
| FALLA MANUEL DE | Ritual Fire Dance (piano) | ||
| FALCON SANABRIA J.J. | Polifonia Coral del Atlantico (4 voice) | ||
| FAURE GABRIEL | Ballade op.19 (2 piano) | ||
| FAURE GABRIEL | Fantasisie op.111 (2 piano) | ||
| FAURE GABRIEL | Ballade pour piano et orchestre op.19 (piano & orchestre | ||
| FAURE GABRIEL | Dolly-Berceuse op.56,nr.1 (piano & violine) | ||
| FIELD J. | Allegro du 1 Concert | ||
| FIORAVANTI V. | Le cantatrici villane κωμικη οπερα (φωνη και πιανο) | ||
| FRANCK CESAR | Preludium, Aria und Finale (piano) | ||
| FRANCK CESAR | Oeuvres D’orgue (piano) | ||
| FRANCK CESAR | Variations Symphoniques (piano) | ||
| FRANCK CESAR | Prelude, Fugue et Variation op.18 | ||
| FRANCK CESAR | Le Chasseur Maudit-Poem Symphonique (orchestra) | ||
| FRANCK CESAR | Variations Symphoniques for piano et orchestre (2 pianos) | ||
| FRANCK CESAR | Preludio, Horal and Fuga (piano) | ||
| FRANCK CESAR | Les Djinns – Poem Symphonique pour piano et orchestre (2 pianos) | ||
| FRESCOBALDI G. | Passacaglia (piano) | ||
| FRESNO MANUEL DEL | Canciones Populares de Asturias | ||
| FURE GABRIEL | Messe de Requiem op.48 (hoie+piano) | ||
| GABRIELI GIOVANNI | “Il Ecclesiis” from Symphonice Sacrae Bk. II 1615 (organ & chorus) | ||
| GADZIBEKOV SULTAN | Karavan (full score) | ||
| GEBHARDT RIO | Concerto for piano Es (2 piano) | ||
| GEISSLER FRITZ | Der Verructe Jourdain (violi9voices & piano) | ||
| GEORGIAGIS GEORGE | ” Prokofiana” Ballet Suite op.85 (piano) | ||
| GERSHWIN GEORGE | Rahapsody in Blue (piano) | ||
| GERSHWIN GEORGE | Preludes (piano) | ||
| GERSHWIN GEORGE | I Got Rhythm – Variations | ||
| GHEORGHIU VALENTIN | Concerto for piano (2 pianos) | ||
| GILBERT HENRY F. | Comedy Ouverture on Negro Themes (full score) | ||
| GILLIS DON | Symphony “X” (BIG “D”) (full score) | ||
| GINASTERA ALBERTO | Milonga (piano & violine) | 1926 | |
| GIOVANNINI CESAR | Jubilance an overture (condensed score) | ||
| GIULIANI MAURO | Primo Concerto A-dur per Chitarra e orchestra op.30 (piano & chitarra) 2 Τεύχη | ||
| GIULIANI MAURO | Primo Concerto A-dur per Chitarra e orchestra op.30 (chitarra) | ||
| GLAZOUNOW ALEXANDRE | Gavotte op.49,no3 (piano) | ||
| GLAZOUNOW ALEXANDRE | Etude op.31,nr.1,2,3 (piano) | ||
| GLAZUNOW ALEXANDRE | Concerto for piano et orchestre f-moll op.92 (2 pianos) | ||
| GLIERE R. | Ballet-Le Pavot Rouge -“Charleston” (piano) | ||
| GLINKA M. | Romans “L’AOUETTE” (piano) | ||
| GOBBI HENRIK | Serenade Hongroise (2 pianos) | ||
| GODARD BENJAMIN | Mazurka op.54 (piano) | ||
| GOEDICKE A. | Concerto for piano op.11 (2 pianos) | ||
| GOLDMANN FRIEDRICH | Drei stucke fur gemischten chor(τραγουδια) | ||
| GOLESTAR STAN | Le Laoutar-Fantaisie et Danse Moldave pour violon Concertant et Piano ou orchestre (violin & piano) | ||
| GOSTUSKI DRAGUTIN | Deus Danses (piano) | ||
| GRANADOS ENRIQUE | Escenas Romanticas (piano) | ||
| GRANADOS ENRIQUE | Goyescas no4 (piano) | ||
| GRANADOS ENRIQUE | Intermedio de la opera “Goyescas (piano) | ||
| GRANADOS ENRIQUE | Seis piezas sobre Cantos (piano) | ||
| GRANADOS ENRIQUE | “The Lover and the Nightingale” from Goyescas (2 piano) | ||
| GRIEG EDVARD | Slatter-Norwegische Bauerntanze op.72 (piano) | 1965 | |
| GRIEG EDVARD | Lyrische Stucke “Baekken” op 62 nr 4 (piano) | ||
| GRIEG EDVARD | Aus dem Volksleben op.19 (piano) | ||
| GRIEG EDVARD | Bestemors menuett-Μενουέτο της γιαγιάς op 68, ar.2 (piano) | ||
| GRIEG EDVARD | Kobalt op.71, nr.3 (piano) | ||
| GRIEG EDVARD | Peer Gynt-Suite I op.46 (piano) | ||
| GRIEG EDVARD | Peer Gynt-Suite II op.55 (piano) | ||
| GRIEG EDVARD | Humoresken op.6 (piano) | 1942 | |
| GRIEG EDVARD | Wedding-day op.65,nr.6 (piano) | ||
| GRIEG EDVARD | Phantasie -Im Herbst op.11 (piano) | ||
| GRIEG EDVARD | Troldtog op.54,nr.3 (piano) | ||
| GRIEG EDVARD | Romans pour 2 pianos op.51 (2 pianos) | ||
| GRIEG EDVARD | Lyrical Pieces op.38 (piano) | ||
| GRIEG EDVARD | Concerto for piano op.16 (2 piano) | ||
| GRIEG EDVARD | Norwegian Dance op.35,nr.2 (piano a 4 mains) | ||
| GRIEG EDVARD | Concerto for piano a-moll op.16 (2 pianos) | ||
| GRIEG EDVARD | Sonata op.7 (piano) | ||
| GRUNDMAN CLARE | American Folk Rhapsody nr.4 (orchestre) | ||
| GRUNDMAN CLARE | A Colonial Legend (full score) | ||
| GRUNDMAN CLARE | Tuba Rhapsody for tuba and symphonic band | ||
| GRUNDMANN CLARE | Dance and Interlude Condensed Score | ||
| GRUNFELD ALFRED | Soiree de Vienne op.56 (piano) | 1909 | |
| HADZIDAKIS MANOS | For a litle white seashell-Για μια μικρή λευκή αχιβάδα (piano) | ||
| HAENDEL | Chacone Variee (piano) | ||
| HAESSLER J. W. | Presto C-dur op.15 | ||
| HALIASAS IAKOVOS | Πεντε χορευτικές κινήσεις (πιανο) | ||
| HANDEL GEORG FRIEDRICH | Concerto for piano VI (2 piano) | ||
| HANDEL GEORG FRIEDRICH | Das Alexander-Fest (vokal Score) | ||
| HANNIKE JOS | Boule de Feu op.11 (Conducteur si flat) | ||
| HARRIS ROY | Trio for pianoforte, violin and violoncello | ||
| HAYDN F.JOSEPH | Concerto for piano in D-dur (orchestre) | ||
| HAYDN F.JOSEPH | La Creation (piano) | ||
| HAYDN F.JOSEPH | Sonaten I nr.1-10 (piano) | ||
| HAYDN F.JOSEPH | Concerto for piano D-dur (2 pianos) | ||
| HELLER STEPHEN | Tarantelle a-moll op.85,nr.1 (piano) | ||
| HENMEL OSCAR VAN | Drieluik (Directie B flat) | ||
| HENSELT ADOLPH | Concerto for piano f-moll op.16 (2 pianos) | ||
| HERCIGONIA NIKOLA | 6 Pieces (voice+piano) | ||
| HERZ H. | Marche Autrichienne op.97 (piano) | ||
| HIKMAN H. | A la memoire de Maurice Ravel (piano) | ||
| HIKMAN H. | Le Princesse charmante | ||
| HIKMAN H. | Pyrrhiche (piano) | ||
| HILL MILRED J. | Happy Birthday t you (voice & piano) | ||
| HONEGER ARTUR | Concertino for piano & orchester (2 piano) | ||
| HRISOHOIDIS ILIAS | “Ο Πυθαγόρας Ετοιμάζεται για την Άιγυπτο” opera mmusical (voice & piano) | ||
| HUMMEL J.N. | Concerto for piano op.85 (piano) | ||
| IBERT JACQUES | La marchande d’eau fraiche pour violon et piano (violon & piano) | ||
| IBERT JACQUES | Angelique opera (voices & piano) | 1908 | |
| ILIEV STEFAN | Children’s Piano Pieces (piano) | ||
| INFANTE MANUEL | Danses Andalouses for duo piano | ||
| INFANTE MANUEL | Gitanerias (piano) | ||
| INFANTE MANUEL | El Vito – variations (piano) | ||
| IOSIFOV ALEKSANDER | Αλμπουμ τραγουδιων και μελωδικων σπουδων για πιανο | ||
| JAELL ALFRED | Valse de opera “Faust de Gounod (piano) | ||
| JANACEK LEOS | Klavierwerke (piano) | ||
| JENEY ZOLOTAN | Complemen for cimbalom | ||
| JOPLIN SCOTT | Ragtimes vol II (piano) | ||
| JORA MIHAIL | Sonata op.21 (piano) | ||
| JOUVIN PIERRE | Sonatine (piano) | ||
| KABALEWSKI DIMITRI | Dritte Sonate op.46 (piano) | ||
| KABALEWSKI DIMITRI | Concerto for piano op.50, nr.3 (2 piano) | ||
| KABANEETCH ZINOBIJ | Andantino (piano) | ||
| KALINNIKOW BAS. | Compositions pour piano (piano) | ||
| KALINNIKOW BASILE | Elegie (piano) | ||
| KALMAN AMMERICH | Die Csardasfurstinoperette in drei Akten (voice & piano) | ||
| KALOMIRI MANOLIS | Preludes nr 1-5 (piano) | ||
| KALOMIRI MANOLIS | Deux Rapsodies op.21 (piano) | ||
| KARAMINA GEORGE | Ύμνος στη Ρόδο για 4 φωνές | ||
| KARRERI PAVLOS | “Despo” Μελόδραμα (orchestral score) | ||
| KESSLER J.C. | Etude op.20 (piano0 | ||
| KESSLER J.C. | 12 Etudes op.100 (piano) | ||
| KETELBEY ALBERT W. | Three Fanciful Etchings” | ||
| KHACHATURIAN ARAM | Gayaneh – third suite from the ballet- score partitoura- (orchestra) | ||
| KHACHATURIAN ARAM | Concerto for piano nr.1 (piano) | ||
| KHACHATURIAN ARAM | Gopak from “Gayaneh” (ballet) (conductor) 2 Τεύχη | ||
| KHACHATURIAN ARAM | La Danza Delle Sciabole (piano) | ||
| KHACHATURIAN ARAM | Toccata (piano) | ||
| KHACHATURIAN ARAM | Concerto for piano (2 pianos) | ||
| KHACHATURIAN ARAM | Toccata piano solo | ||
| KHACHATURIAN ARAM | Concerto for piano (2 piano) | ||
| KIMBALL JACOB | Down East Spirituals (choruses) | ||
| KIRILOF P. | Them & Variations cis-moll (piano) | ||
| KLOUMAVA A. | Λευκορώσσικη χορευτική Σουίτα (piano) | ||
| KOHLER SIEGFRIED | Der Gefesselte Orpheus (orchester) | ||
| KOHLER SIEGFRIED | Sinfonie nr.3 (besetzung des orchesters) | ||
| KORSAKOV N. R. | Sheherazade op 35 | ||
| KORSAKOV N. R. | Ισπανικο καπριτσιο | ||
| KORSAKOV N. R. | La grande Pasque Russe (orchester) | ||
| KOTCHETOFF N. | Bluette op.43 (piano) | ||
| KREBS J.I. | Bouree (piano) | ||
| KREISLER FRITZ | Polichinelle- Serenade (piano & violine) | ||
| KREISLER FRITZ | La Gitana (piano & violine) | 1914 | |
| KREISLER FRITZ | Londonderry Air (piano & violine) | ||
| KURTAG GYORGY | 13 Pieces for two cimbalos from Jatekok | ||
| LADMIRAULT PAUL | Choral et Variations pour Quintett a Vent et Piano | ||
| LANGE G. | Aida de G.Verdi – Fantaisie Brillante op.157 (piano) | ||
| LAZARIDIS GEORGGE | Έργα για πιάνο | ||
| LECHETITSKIJ T. | Edude “La Piccola” op.43,nr.2 (piano) | ||
| LEIGH MITCH | “Man of la Mancha” (piano & voices & orchestra) | ||
| LEONCAVALLO RUGGIERO | Pagliacci-Prologo (piano) | ||
| LEONCAVALLO RUGGIERO | Mattinata (voice & piano) | ||
| LERCHE JULIANE | Concentration and Tone Forming Exercises (piano) | ||
| LEWITZKI ROGAL | Lisztiana (orchestre) | ||
| LIADOF A. | Barcarolle Fis-dur op.44 (piano) | ||
| LIISZT FRANZ | Les jeux d’eaux de la Villa d’Este | ||
| LISZT FRANZ | Rigoletto de Verdi- Paraphrase (piano) | ||
| LISZT FRANZ | Apres une lecture du dante – Fantasie quasi sonata (piano)*2 | ||
| LISZT FRANZ | Rhapsodie Hongroise nr.14 (piano) | ||
| LISZT FRANZ | Variations sur un motif de Bach (piano) | ||
| LISZT FRANZ | Klavier-Werke Band III (piano) | ||
| LISZT FRANZ | Rapsodie – 19 Ungheresi, 1 Spagnuola (piano) | ||
| LISZT FRANZ | “Annees de Pelerinage” – Venezia e Napoli (piano) | ||
| LISZT FRANZ | Ab – Irato -Etudes σπουδή της τελειοποίησης(piano) | ||
| LISZT FRANZ | Paganini – Etuden | ||
| LISZT FRANZ | Zwie Polonaisen (piano) | ||
| LISZT FRANZ | Rhapsodie hongroise no 10 (piano) | ||
| LISZT FRANZ | Rhapsodie hongroise no 9 – Le Carnaval de Pesth (piano) | ||
| LISZT FRANZ | Rhapsodie espagnole (piano) | ||
| LISZT FRANZ | Faust-WALZER (piano) | ||
| LISZT FRANZ | Festspiel und Brautlied (piano) | Mocow 1966 | |
| LISZT FRANZ | Lob der Thranen (piano) | ||
| LISZT FRANZ | Rhapsodie espagnole (piano) | ||
| LISZT FRANZ | Mephisto-Walzer (piano) | ||
| LISZT FRANZ | Legende nr.1 (piano) | ||
| LISZT FRANZ | Isolden’s Liebes-Tod (piano) | ||
| LISZT FRANZ | Annees de pelerinage I Italia (piano) | ||
| LISZT FRANZ | Danse Macabre (orchestre) | ||
| LISZT FRANZ | Rhapsodie hongroise no.XII (2 pianos) Sigfrid Karg-Elert | ||
| LISZT FRANZ | Ungarische Rhapsodie (piano & violine) Arthur Seybold | ||
| LISZT FRANZ | Etude Transcendante nr. IV Mazepa (piano) | ||
| LISZT FRANZ | Rhapsodies Hongroises nr.4-5-6 (piano) | ||
| LISZT FRANZ | Tarantella Venezia e Napoli no.3 (piano) | ||
| LISZT FRANZ | Trois Etudes de Concert (piano) | ||
| LISZT FRANZ | Rhapsodie Hongroise nr.11 (piano) | ||
| LISZT FRANZ | Rhapsodie Hongroise nr.13 (piano) | ||
| LISZT FRANZ | Piano Transcriptions from French and Italian Operas (piano) | ||
| LISZT FRANZ | Grande Etudes de Paganini I (piano) | ||
| LISZT FRANZ | Grande Etudes de Paganini II (piano) | ||
| LISZT FRANZ | Concerto Pathetique e-moll (2 piano) | ||
| LISZT FRANZ | Concerto for piano nr.2 (2 piano) | ||
| LISZT FRANZ | Concerto for piano nr.1 E flat (2 piano) | ||
| LISZT FRANZ | Rhapsodie Hongroise nr.14 (piano) | ||
| LITOLFF HENRY | Scherzo from Concerto Symphonique nr.4 (piano) | 1782 | |
| LLOSSAS JUAN | Tango Bolero (piano) | ||
| LOEWE FEDERICK | “Gigi” Concert band (full score) | ||
| LOHSE FRED | Trio fur Klavier, Violine und Violoncello (violin,violoncello,piano) | ||
| LUBICZ ZD. | Rhapsodie roumaine op.26 (piano) | ||
| MAC DOWELL EDWARD | Sonata Tragica in g moll, op.45 (piano) | ||
| MAC DOWELL EDWARD | Sonate op.59,nr.4 (piano) | ||
| MAC DOWELL EDWARD | Concerto for piano & orchester op.23 d-moll (full score) | ||
| MAC DOWELL EDWARD | Concerto for piano op.23, nr.2 d-moll (2 piano) | ||
| MAILMAN MARTIN | Shouts, Hymns and Praises op.52 (full score0 | ||
| MAJAKOWSKY I. | Suite lirique (piano) | ||
| MAJAKOWSKY I. | Sonata fis-moll op.13,nr.2 (piano) | ||
| MAJAKOWSKY I. | Sonata C-moll op.19,nr.3 (piano) | ||
| MALCOLM CARLOS | 13 Estudios para piano (piano) | ||
| MALIPIERO G. FRANCESCO | Preludi Autunnali (piano) | ||
| MARGARITIS LORIS | Jugend (piano) | ||
| MARGARITIS LORIS | Griechische Pastorale op.18, nr1,2 Ελλινικά βουκολικά (πιανο) | ||
| MARGARITIS LORIS | Sonatina for piano, op.5 (piano) | ||
| MASCAGNI PIETRO | Cavalliera Rusticana (orchestre score) | ||
| MASCAGNI PIETRO | Cavalleria Rusticana A Melodrama in one act (orchestra score) | ||
| MASCAGNI PIETRO | L’aamico Fritz (voices &piano) | ||
| MASCAGNI PIETRO | Cavaleria Rusticana (original vocal score) | ||
| MC KAY GEORGE FREDERICK | Bravura Prelude for Brass Ensable (orchestra) | ||
| McBRIDE ROBERT | Jam Session for Woodwind Quintet | ||
| MEDTNER N. | 2 Elegien op.59 (piano) | ||
| MEDTNER N. | Sonate-Ballade Fis-durop.27 (piano) | ||
| MENDELSSOHN BARTHOLDY F. | “Lieder OHNE WORTE” | ||
| MENDELSSOHN BARTHOLDY F. | Koncert por violin & orchester op 64 | ||
| MENDELSSOHN BARTHOLDY F. | Preludes et Variations pour piano (piano) | ||
| MENDELSSOHN BARTHOLDY F. | Rondo capriccioso op.14 e-moll | ||
| MENDELSSOHN BARTHOLDY F. | Perpetuum mobile op.19 (piano) | ||
| MENDELSSOHN BARTHOLDY F. | Andante cantabile e Presto agitato | ||
| MENDELSSOHN BARTHOLDY F. | Scherzo op.61,nr.1 (piano) | ||
| MENDELSSOHN BARTHOLDY F. | Sonata op.6 E-dur (piano) | ||
| MENDELSSOHN BARTHOLDY F. | Sonate II op.105 (piano) | ||
| MENDELSSOHN BARTHOLDY F. | 1-Concert nr.1,op.25 2-Concert nr.2,op.40 3-Capriccio brillante op.22 4- Rondo brillante op.29 5-Serenade und Allegro op.43. (piano) | ||
| MENDELSSOHN BARTHOLDY F. | Concerto for piano op. 25,nr.1 (2 pianos) | ||
| MENDELSSOHN BARTHOLDY F. | Concerto for piano op.40, nr.2 d-moll (2 piano) | ||
| MENOTI Gian-CARLO | “Amahl and the night visitors” opera in one act (piano & voices) | ||
| MICHAELIDES SOLON | La Lyre de Sappho (piano) | ||
| MICHAELIDES SOLON | Suite Grecque pour piano (piano) | ||
| MIGNONE FRANCISCO | Congada, Danca Brasileira (piano) | ||
| MILHAUD DARIUS | Scaramouche-Suite pour deux piano (2 piano) | ||
| MILHAUD DARIUS | Scaramouche-Suite pour deux piano I Vif (2 piano) | ||
| MILHAUD DARIUS | Scaramouche Suite pour Saxophone et Orchestre (saxophone & piano) | ||
| MILOSEVIC PREDRAG | Sonatina (piano) | ||
| MITROPOULO DIMITRI | Trois pieces pour Piano (piano) | ||
| MITROPOULO DIMITRI – KAVAFIS | 10 Invencjone (piano+voice) | ||
| MOEKEL MEINDERT | Prelude-Dialogue et Variations (Directie B flat) | ||
| MOERENHOUT J. | 2 Suite d’Orchestre (Conducteur) | ||
| MOMPOU FREDERIC | Scenes d’Enfants (piano) | ||
| MORTARO A.- SCHMID B. | 4 Canzonia 4 (2 pianos) | ||
| MORTELMANS LODEWYK | Klavierwerken oeuvres pour piano (piano) | ||
| MOSCHELES IGNAZ | Studien op 70 Helf I 9piano) | ||
| MOSCHELES IGNAZ | Charakteristichen Studien for piano op.95 (piano) | ||
| MOSCHELES IGNAZ | Concerto for piano op.50, nr.3 (2 piano) | ||
| MOSZKOWSKI MAURICE | Caprice Espagnol op.37 (piano) | ||
| MOSZKOWSKI MAURICE | Serenata op.15 (piano) | ||
| MOSZKOWSKI MAURICE | Valse oeuvre 34, nr.1 (piano) | ||
| MOSZKOWSKI MAURICE | Tarantelle op.27,nr.11 (piano) | ||
| MOSZKOWSKI MAURICE | Tarantella op.27,nr.2 (piano) | ||
| MOSZKOWSKI MAURICE | Etincelles op.36,nr.6 (piano) | ||
| MOSZKOWSKI MAURICE | Barcarole (piano) | ||
| MOSZKOWSKI MAURICE | Momento Giojoso (piano) | ||
| MOSZKOWSKI MAURICE | Spanische Tanze op.12 (2 pianos) | ||
| MOSZKOWSKI MAURICE | 15 Virtuosity studies op.72,nr.9 (piano) | ||
| MOSZKOWSKI MAURICE | Spanische Tanze op.12 ( pianos a 4 mains) | ||
| MOSZKOWSKI MAURICE | Concerto for piano op.59 (2 piano) | ||
| MOURET J. | Sarabande fa mineur (piano & violine) | ||
| MOUSSORGSKY M. | Quardi di una esposizione (piano) | ||
| MOUSSORGSKY M. | Pieces pour piano Vol. VIII (piano) | ||
| MOUSSORGSKY M. | Boris Godounov (voice & piano) | ||
| MOUSSORGSKY M. | La mort de Boris (voice+piano) | ||
| MOUSSORGSKY M. | Tableaux d;une exposition (piano) | ||
| MOZART W.A. | Concerto for piano A-dur KV 488 | ||
| MOZART W.A. | Serenade K.525 (piano) | ||
| MOZART W.A. | Sinfonia concertante KV Anh.9 (Oboe, Klarinette, Horn, Fagott und Orchester) | ||
| MOZART W.A. | Fantasia nr.1 K.394 (piano) | ||
| MOZART W.A. | Concerto for piano in G major K.453 (2 piano) | ||
| MOZART W.A. | Pastorale Variee (piano) | ||
| MOZART W.A. | Sonata nr.1-18 (piano) | ||
| MOZART W.A. | Werke fur Klavier zu 4 handen (1piano – 4 handen) | ||
| MOZART W.A. | Koncert in G-dur for piano & orchestrer (2 pianos) | ||
| MOZART W.A. | Concerto for piano nr. V (1 piano) | Αθήνα 1980 | |
| MOZART W.A. | Concerto for piano nr.I (1 piano) | ||
| MOZART W.A. | Concerto for piano d-moll (2 pianos) | ||
| MOZART W.A. | Concerto for piano & orchestra A-dur KN 488 (2 pianos) | ||
| MOZART W.A. | Aria -Figara (voice & piano) | ||
| MOZART W.A. | Concerto for piano nr.9 Es-dur (orchestre) | ||
| MOZART W.A. | Concerto for piano d-moll K No 466 (2 pianos) | ||
| MOZART W.A. | Marche Turque (piano) | ||
| MOZART W.A. | Neutes Concert KV271 (pianp &litle orchester) | ||
| MOZART W.A. | Concerto for piano C-dur KV467 (2 pianos) | ||
| MOZART W.A. | Concerto for piano A-dur KV 488 (2 pianos) | ||
| MOZART W.A. | Sonata F-Dur K 533/494 for 2 piano- GRIEG EDWARD | ||
| MOZART W.A. | Sonata c-moll for 2 piano- GRIEG EDWARD | ||
| MOZART W.A. | Sonate und Fuge (2 piano) *2 | ||
| MOZART W.A. | Sonate G-dur for 2 piano GRIEG EDWARD | ||
| MOZART W.A. | Concerto for piano nr.17 G-dur K 453 (2 piano) | ||
| MOZART W.A. | Concerto for piano nr.9 K 271 Es-dur | ||
| MOZART W.A. | Concerto Lodron K.242 (2 piano) | ||
| MOZART W.A. | Concerto for piano K.365 E flat dur (2 piano) | ||
| MOZART W.A. | Concerto for piano K.271 (2 piano) | ||
| MOZART W.A. | Concerto for piano D-dur (2 piano) | ||
| MOZART W.A. | Concerto for piano KV 450 B flat-dur *2 (2 piano) | ||
| MOZART W.A. | Concerto for piano NR.24, kv 491 c-moll (2 piano) | ||
| MUSORGSKY MODEST | ? Από ατελείοτη όπερα (orkiestra) | ||
| MUSORGSKY MODEST | Marche Tirque As-dur Oeuvres posthumes (piano) | Mocow 1959 | |
| MUSORGSKY MODEST | “Mlada” Αποσπάσματα από την ημίτελη όπερα “Mlada” (piano 4 hand) | ||
| MUSORGSKY MODEST | Songs and Danse of Death for voice and orchestra (score) orchestrated by D. Shostakovich | ||
| MUSORGSKY MODEST | Introduction-fragments d’un opera inacheve (ατελής όπερα “Πανηγύρι του Σοροντσίνσκ) (orchestre) | ||
| NEIRINCKX GILBERT | Danse du Feu (piano) | ||
| NEIRINCKX GILBERT | Trottinette (piano) | ||
| NETSCHAIEW W. | Sonate op.7 (piano) | ||
| NIEMANN WALTER | Alt-China op.62 (piano) | ||
| NIKHTAS COSTAS D. | Due per Violin e Pianoforte (piano+violin) | ||
| NIKHTAS COSTAS D. | Sonatina for piano (piano) | ||
| OFFEBBACH WERK JACQUES | Hoffmanns Erzahlungen opera 3 akten (voice & piano) | ||
| ORFF CARL | Carmina burana φωνη και ορχηστρα | ||
| PACHER J. A. | Variations op. 32 (piano) | ||
| PADEREWSKI I.J. | Nocturne op.16, nr.4 (piano) | ||
| PADEREWSKI I.J. | Caprice op.14,nr.3 (piano) | ||
| PADEREWSKI J.I. | Legende op.16 (piano) | ||
| PADEREWSKI J.J. | Burlesque op.14,cahier.II no.1 (piano) | ||
| PAHOULSKYJ G. | Prelude op.8,no.1 (piano) | ||
| PALADI RADU | Rondo a Capriccio (piano) | ||
| PALLANDIOU MENELAOS | Παιχνίδια στο πιάνο | ||
| PAPPA – ΠΑΠΠΑ Θ. | Djemille-oriental (voice-piano) | ||
| PASCANU ALEXANDER | Suita Pedro Piano – III Cintec de Dor (piano) | ||
| PASCHILL J. | Floricele-potpuri national op.58 (piano) | ||
| PASCHILL J. | Premiere Balade Roumaine op.141, nr.1 (piano) | ||
| PERGOLESI G.B. | La Serva Padrona (voice & piano) | ||
| PERSICHETTI VINCENT | Pastoral for quintets (fl., ob., cl.,horn, bassoon) | ||
| PETRA-BASACOPOL CARMEN | Toccata – Masca din Nereju (Moldova) (piano) | ||
| PETRI EGON | Sheep May Safely Graze from “Birthay Cantata” J.S.BACH (piano) | ||
| PETROVICS EMIL | “Lisistrate” (orchestra & voices) | ||
| PHILIPP I. | Exercises de Tenues (piano) | 1930 | |
| PIANOFORTE-1-1 | Scales and broken chords Grade-1 (piano) | ||
| PIANOFORTE-1-2 | Scales and broken chords Grade-2 (piano) | ||
| PIANOFORTE-2-2 | Grade 2 1981 – Examination Pieces (piano) | ||
| PIANOFORTE-2-3 | Grade 3 1981 – Examination Pieces (piano) | ||
| PIANOFORTE-2-4 | Grade 4 1981 – Examination Pieces (piano) | ||
| PIANOFORTE-2-5 | Grade 5 1981 – Examination Pieces (piano) | ||
| PIANOFORTE-2-6 | Grade 6 1981 – Examination Pieces (piano) | ||
| PIANOFORTE-2-7 | Grade 7 1981 – Examination Pieces (piano) | ||
| PIANOFORTE-3-2 | Specimen Sight-Reading Tests Grade-2 (piano) | ||
| PIANOFORTE-3-3 | Specimen Sight-Reading Tests Grade-3 (piano) | ||
| PIANOFORTE-3-4 | Specimen Sight-Reading Tests Grade-4 (piano) | ||
| PIANOFORTE-3-5 | Specimen Sight-Reading Tests Grade-5 (piano) | ||
| PIANOFORTE-3-6 | Specimen Sight-Reading Tests Grade-6 (piano) | ||
| PIANOFORTE-3-7 | Specimen Sight-Reading Tests Grade-7 (piano) | ||
| PIANOFORTE-3-8 | Specimen Sight-Reading Tests Grade-8 (piano) | ||
| PIANOFORTE-4-3 | Scales and Arpeggios Grade-3 (piano) | ||
| PIANOFORTE-4-4 | Scales and Arpeggios Grade-4 (piano) | ||
| PIANOFORTE-4-5 | Scales and Arpeggios Grade-5 (piano) | ||
| PIANOFORTE-4-6 | Scales and Arpeggios Grade-6 (piano) | ||
| PIANOFORTE-4-7 | Scales and Arpeggios Grade-7 (piano) | ||
| PIANOFORTE-4-8 | Scales and Arpeggios Grade-8 (piano) | ||
| PIC-MANGIAGALLI RICCARDO | Deux “Lunaires” op 33 | ||
| PIC-MANGIAGALLI RICCARDO | Deux “Lunaires” op 33*2 (piano) | ||
| POLOWINKIN L. | Six Morceaux op.30,nr.2 (piano) | ||
| PONIRIDY G. | Deux Preludes (piano) | ||
| PORTER COLE | So In Love (voice+piano) | ||
| PORUMBESCU CIPRIAN | Balada op.29 (piano) | ||
| POULENC FRANCIS | Mouvements Perpetuels (piano) 2 Τεύχη | ||
| POULENC FRANCIS | Concerto for 2 pianos & orchester (full score) | ||
| POULENC FRANCIS | Concerto for 2 pianos & orchester (2 pianos) | ||
| POULENC FRANCIS | La voix humaine-Tragedie lyrique en un acte (voice & piano) | ||
| POULENC FRANCIS | Concerto for piano (2pianos) | ||
| PROKOFIEFF SERGE | Temteition op.4 (piano) | ||
| PROKOFIEFF SERGE | Suggestion Diabolique op.4,nr.4 (piano) | ||
| PROKOFIEFF SERGE | Scherzo Humoristique op.12,nr.9 | ||
| PROKOFIEFF SERGE | Toccata op.11 (piano) | ||
| PROKOFIEFF SERGE | Gavotte op.25 (piano) | ||
| PROKOFIEFF SERGE | Allemande op.12,no.8 (piano) | ||
| PROKOFIEFF SERGE | Achte Sonate op.84 (piano) | ||
| PROKOFIEFF SERGE | Siebente Sonate op.83 (piano) | ||
| PROKOFIEFF SERGE | Deuxieme Sonata d-moll op.14 (piano) | ||
| PROKOFIEFF SERGE | Concerto for piano & orchestre op.16,nr.2 (2pianos) | ||
| PROKOFIEFF SERGE | Concerto for piano op.16,nr.2 g-moll (2 pianos) | ||
| PROKOFIEFF SERGE | Gavotte op.12,nr.2 (piano) | ||
| PROKOFIEFF SERGE | Prelude op.12,num.7 | ||
| PROKOFIEFF SERGE | Concerto for piano op.10,no1 (2 pianos) | ||
| PROKOFIEFF SERGE | Classical Symphony op 25 (score – orkiestra) | ||
| PROKOFIEFF SERGE | Concerto for piano op.10, nr.1 Des-dur (2 piano) | ||
| PUCCINI GIANNI | La Boheme nr.1-Pot Pouri (piano-orchestre) | ||
| PUCCINI GIANNI | La Boheme nr.2-Pot Pouri (piano-orchestre) | ||
| PUCCINI GIANNI | Gianni Schicchi (voices & piano) | ||
| PURCELL HENRY | Two Bourrees (piano) | ||
| R0OSSINI G. | Ouverture zur Oper “Semiramis” -CLARINETTE I in A | ||
| RACHMANINOFF SERGE | 13 Preludes op.32 (piano) | ||
| RACHMANINOFF SERGE | Elegie op.3 nr.1 (piano) | ||
| RACHMANINOFF SERGE | Humoreske op.10 no.5 (piano) | ||
| RACHMANINOFF SERGE | Variations on a theme of Chopin op.22 (piano) | ||
| RACHMANINOFF SERGE | Prelude op.3 no.2 (piano) | ||
| RACHMANINOFF SERGE | Moment Musical op.16,nr.6 (piano) | ||
| RACHMANINOFF SERGE | Concerto for piano in F sharp minore op.1 (2 pianos) | ||
| RACHMANINOFF SERGE | Concerto for piano op.18,nr.2 (2 pianos) * 2 | ||
| RACHMANINOFF SERGE | Sonata no.1 op.28 d-moll (piano) | ||
| RACHMANINOFF SERGE | Etudes-Tableaux op.39 Valume II (piano) | ||
| RACHMANINOFF SERGE | Prelude (A.Monsieur 4.Arensky) | ||
| RACHMANINOFF SERGE | Concerto for pianonr 3 op.30 d-moll (2 piano) | ||
| RADENKOVICH MILUSIN | 12 Preludia (piano) * 2 | ||
| RADIC DUSAN | Sonata Lesta (piano) | ||
| RADOVICI EUGEN | Scherzo op.17, nr.5 (piano) | ||
| RAFF J. | Valse-Caprice op 116 (piano) | ||
| RAJICIC STANOJLO | Sonata nr.2 (piano) | ||
| RAMEAU JEAN PHILIPPE | Sarabanda (piano) | ||
| RAMEAU JEAN PHILIPPE | Gigue (piano) | ||
| RAMEAU JEAN PHILIPPE | Rigodon (piano) | ||
| RAMEAU JEAN PHILIPPE | Le Tample de la Glorie -Gavotte (piano & violine) | ||
| RANKI GYORGY | Sonata per pianoforte no.3 in 1 movimento (piano) | ||
| RAVEL MAURICE | Miroirs (piano) | ||
| RAVEL MAURICE | Ο τάφος του CUPERIN- Suita (piano) | ||
| RAVEL MAURICE | “Ma mere I’ Oye” (piano) 5 pieces enfantines | ||
| RAVEL MAURICE | Miroirs *2 (piano) | ||
| RAVEL MAURICE | Gaspard De La Nuit (piano) | ||
| RAVEL MAURICE | Gaspard De La Nuit (piano) *2 | ||
| RAVEL MAURICE | Sonatina (piano) | ||
| RAVEL MAURICE | Tsigane (violon & piano) | 1839 | |
| RAVEL MAURICE | Sul le nom de Faure (piano & violine) | ||
| RAVEL MAURICE | Concerto for piano in G-dur (2 pianos) | ||
| READ GARDNER | Sound Piece for Brass and Percussion op.82 (ful score) | ||
| READ GARDNER | Scherzino op.24 for Woodwind Quintet (full score) | ||
| REGER MAX | An die Hoffnung op.124 (piano) | ||
| REGER MAX | Feuilles et Fleurs (piano) | ||
| REGER MAX | Sonatina op.89,nr.3 F-dur (piano) | ||
| REGER MAX | Gavotte op.82,nr.3 (piano) | ||
| REGER MAX | Zwei Sonaten fis-moll op.33, d-moll op.60 fur orgel (orgel) | ||
| RESPIGHI OTTORINO | “Antiche Danze ed arie” (piano) | ||
| RICHTER FERDINAND TOBIAS | Tccatina (piano) | ||
| RIMSKI-KORSAKOW N. | “Au soleil” Chant de la reine de Chemakha | ||
| RIMSKY-KORSAKOW N. | “Mozart & Salieri” (orchestre & voice) | ||
| RIMSKY-KORSAKOW N. | Ouverture “Le grande Paque Russe” op.36 -FLAUTU II | ||
| RIMSKY-KORSAKOW N. | Ouverture “Le grande Paque Russe” op.36 -CLARINETTE I in C | ||
| RIMSKY-KORSAKOW N. | Ouverture “Le grande Paque Russe” op.36 -FLAUTU III | ||
| RIMSKY-KORSAKOW N.-KREISLER | Hymne au soleil aus Oper “Le Coq D’or” (violin & piano0 | ||
| RODGERS RICHARD | Concert Band (orchester) | ||
| RODGERS RICHARD | The King And I (full score) | ||
| RODRIGO JOAQUIN | Fantasia para un Gentilhombre for gitar and orchestra (guitare & orchestra) | ||
| RODRIGO JOAQUIN | Concierto de Aranjuez for Guitar and Orchestra (guitar & orchestra) | 1907 | |
| ROGALSKI THEODOR | Serenada Retrospectiva (piano) | ||
| RONCHI APOLO | 5 Canciones | ||
| ROSENFELD GERHARD | Das Alltagliche Wunder-opera (conductor score) | ||
| ROSENFELD GERHARD | “Rifugio” Sopran solo, Chor, orchester | ||
| ROSENFELD GERHARD | “Der Mantel” (voices & piano) | ||
| ROSS WALTER | Tuba Concerto (full score) | ||
| ROSSINI G. | Semiramis-Ouveture (piano) | ||
| ROSSINI G. | Ouverture zur Oper “Semiramis” | ||
| ROSSINI G. | Il Signor Bruschino (voice & piano) | ||
| ROTA NINO | The Godfather Harmonie-Fanfare (orchestre) | ||
| RUBINSTEIN ANTON HERRN | Tarentelle op.6 (piano) | ||
| RUBINSTEIN ANTON HERRN | Balletmusic aus der Oper Feramors (piano) | ||
| RUBINSTEIN ANTON HERRN | Valse (piano) | ||
| RUBINSTEIN ANTON HERRN | Fantaisie op.44 (piano) | ||
| RUBINSTEIN ANTON HERRN | Valse-Caprice (piano) | ||
| RUBINSTEIN ANTON HERRN | Barcarolle op.45 (piano) | ||
| RUBINSTEIN ANTON HERRN | Barcarole op.50,nr.1 (piano) | ||
| RUBINSTEIN ANTON HERRN | Barkarole nr.5 op.93,nr.4 (piano) | ||
| RUBINSTEIN ANTON HERRN | Barkarole op.30,nr.1 (piano) | ||
| RUBINSTEIN ANTON HERRN | Sonate e-moll op.12 (piano) | ||
| RUBINSTEIN ANTON HERRN | Concerto for piano op. 25,nr1 (2 pianos) | ||
| RUBINSTEIN ANTON HERRN | Concerto for piano op.70, nr.4 (2 piano) | ||
| RUIZ G. | Amer Harmonie-Fanfare (Directie B flat) | ||
| SAINT-SAENS CAMILLE | 3 Concerto pour Violon et Orchestre op.61 | ||
| SAINT-SAENS CAMILLE | Danse Macabre Harmonie-Military Band (orchestre) | ||
| SAINT-SAENS CAMILLE | Suite Algerienne op.60 (piano) | ||
| SAINT-SAENS CAMILLE | Mazurka op.24,nr2 (piano) | ||
| SAINT-SAENS CAMILLE | Tango op.116 (piano) | ||
| SAINT-SAENS CAMILLE | Romance sans paroles (piano) | ||
| SAINT-SAENS CAMILLE | Allegro Appassionato op.70 (piano) | ||
| SAINT-SAENS CAMILLE | Concerto for piano g-moll op.22,nr.2 (2 pianos) | ||
| SAINT-SAENS CAMILLE | Concerto for piano op.29 (2 piano) | ||
| SAINT-SAENS CAMILLE | Concerto for piano g-moll op.22, nr.2 | ||
| SANDERS ROBERT | Quintet in b flat for brass instrumental | ||
| SARASATE PABLO DE | Spanish Dances-Malaguena (piano & violine) | ||
| SAUTEREAU C. | Sonate (piano) *2 | ||
| SCARLATTI DOMENICO | Pastorale e Capriccio (piano) | ||
| SCARLATTI DOMENICO | Sonate in f-moll (piano) | ||
| SCHARWENKA XAVER | Concerto for piano & orchester op.82 f-moll | ||
| SCHENSCHINE A. | Sept Preludes op.3 (piano) | ||
| SCHIRINSKY W. | Variazionen uber ein Thema von Scriabin op.3 (piano) | ||
| SCHOSTAKOWITSCH DIMITRI | Symfonia nr 10 op 93 | ||
| SCHOSTAKOWITSCH DIMITRI | 24 Preludien Helf I nr.1-12 (piano) | ||
| SCHOSTAKOWITSCH DIMITRI | 24 Preludien Helf II nr.13-24 (piano) | ||
| SCHOSTAKOWITSCH DIMITRI | Prazdnichaja Ouvertoura op.96 A-dur (orchestra) | ||
| SCHOSTAKOWITSCH DIMITRI | Sonate op.64 (piano) | ||
| SCHOSTAKOWITSCH DIMITRI | Concerto for pianon r.2 op.102 (2 piano)*2 | ||
| SCHOSTAKOWITSCH DIMITRI | Concerto for piano op.35 (2 piano) | ||
| SCHOSTAKOWITSCH DIMITRI | Concerto for piano op.102, nr.2 (2 piano) | ||
| SCHUBERT FRANZ | 4 Impromptuus op 142 (piano) | ||
| SCHUBERT FRANZ | Moment Musical op 94 (piano) | ||
| SCHUBERT FRANZ | Militar Marsch (piano) | ||
| SCHUBERT FRANZ | Sonata nr.10, op.posth (piano) | ||
| SCHUBERT FRANZ | Sonatas op.143,nr.5 (piano) | ||
| SCHUBERT FRANZ | Symphonie VIII h-moll (piano) | ||
| SCHUBERT FRANZ | Ouverture “Rosamunde” D 797 op.26 ( piano) | ||
| SCHUBERT FRANZ | 4 Impromptus op.90 (piano) | ||
| SCHUBERT FRANZ | 3 Sinfonie – fragmente(orchester) | ||
| SCHUBERT FRANZ | 3 Sinfonie- fragmente (piano) | ||
| SCHULZ-EVLER | Arabesken (piano) | ||
| SCHUMANN ROBERT | Impromptus op.5 (piano) | ||
| SCHUMANN ROBERT | Romans nr 2 Fis-dur (piano) | Rio 1951 | |
| SCHUMANN ROBERT | Intermezzi op.4 (piano) | ||
| SCHUMANN ROBERT | Klavierwerke op.21 (piano) | ||
| SCHUMANN ROBERT | Carnaval de Vienne op.26 (piano) | ||
| SCHUMANN ROBERT | Concerto for piano a-moll op.54 (2 piano) | ||
| SCHUMANN ROBERT | Επιλεγμένα κομμάτια τόμος IV (piano) | ||
| SCHUMANN ROBERT | Sonate g-moll op.22 (piano) | ||
| SCHUMANN ROBERT | Concerto for piano a-moll op.54 (2 pianos) | ||
| SCHUMANN ROBERT | Concerto for piano op.54 (2 piano) | ||
| SCHUTT EDOUARD | Carnaval Mignon op.48 (piano) | ||
| SCHUTT EDOUARD | Romance op.38,no.2 (piano) | ||
| SCOTT CYRIL | “Egypt” (piano) | ||
| SCOTT CYRIL | Danse Negre op.58,nr.5 (piano) | ||
| SCOTT CYRIL | Etude II op.64,nr.II (piano) | ||
| SCOTT CYRIL | Lotus Land op.47.1. (piano) | ||
| SCRIABIN A. | Valse op.38 (piano) | ||
| SCRIABIN A. | Sonate nr.7 op.64 (piano) | ||
| SCRIABIN A. | Poeme Satanique op.36 (piano) | ||
| SEEGEL PETER | Moravische Rhapsodie (Ddirektion in B flat) | ||
| SERBANESCU J. | Oltenii Veseli – Potpouri National op.27 (piano) | ||
| SHEFFER PI | Vaudeville Suite (piano) | ||
| SINDING H. | Marche Grotesque (piano) | ||
| SKALKOTTAS NIKOS | Quarte Danses Grecques (partition d’Orchestre) | ||
| SMITH SYDNEY | Chanson Russe op.31 (piano) | ||
| SMITH SYDNEY | IL Trovatore op.129- Fantaisie Brillante (piano) | ||
| SOLER PADRE ANTONIO | Fandango (piano_ | ||
| SPASOV GEORGI | Voice+piano | ||
| STANTCHINSKY A. | Five Preludes (piano) | ||
| STAVINSKI IGOR | Trois Mouvements de Petouchka (piano) | ||
| STRAUSS IOHANN | Die Fledermaus -La chauve souris-The bat, Ouverture (piano) | ||
| STRAUSS IOHANN | Der Zigeunerbaron-Le Baron tzigane,The Gibsy Baron, Ouverture (piano) | ||
| STRAUSS IOHANN | Meine Trauss-Walzer (piano) | ||
| STRAUSS IOHANN | The Blue Danube for voice & piano επεξεργασία Ν. Αστρινίδης | ||
| STRAUSS RICHARD | Burlesque D-minor (2 piano) | ||
| SUK JOSEF | Vier Stucke fur Violine und Klavier op17 Heft I (violin & piano) | ||
| SUPPE FRANZ von | Poet and Peassant-oiverture (violino-piano) | ||
| SUPPE FRANZ von | Light Cavalry-ouverture (piano) | ||
| SWEET A.S. | La Madone (piano) | ||
| SZYMANOWSKI KAROL | Variationen uber ein polnisches volksthema op.10 (piano) | ||
| SZYMANOWSKI KAROL | Danse Paysanne-Bauerntanz (violon & piano) | ||
| SZYMANOWSKI KAROL | Mythes – Trois poeme pour Violon et Piano op.30,nr.3 (violin & piano) | ||
| SZYMANOWSKI KAROL | Chanson Polonaise (violon & piano) | ||
| TAJCEVIC MARKO | Sedam (7) Balkanskih Igara (piano) | ||
| TAJCEVIC MARKO | 5 Preludia for clavir (piano) | ||
| TAJCHEVICH MARKO | Ρωσικα λυρικα τραγουδια για γυναικεια φωνη και πιανο | ||
| TANEIEW S. | Prelude (piano) | ||
| TAOULA NIKOLAOS | Niaousta (voices & piano) | ||
| TARENGHI MARIO | Nove Variazioni per duo pianoforti sul Preludio XX di Chopin op.68 (2 pianos)*2 | ||
| TAUSIG CARL | Vals-Caprice (piano) | ||
| THAMPSON RANDALL | The Last Words of David (choruses) | ||
| THEMELIS DIMITRIS | Sonate | ||
| THIELE SIEGFRIED | Jeux pour Harpe et Orchestre | ||
| THIELE SIEGFRIED | Hommage a Machaut fur Alt-solo, Bariton-solo und orchester | ||
| THIELE SIEGFRIED | Suite fur orgel (orgel) | ||
| THIEMANN | Peters – violinschulverk (violin) | ||
| THOMAS A. | Ouverture de Opera Raymond ou le Secret de la Reine (2 piano) | ||
| TSCHAIKOWSKY PETER | Six Morceaux op.19 (piano) | ||
| TSCHAIKOWSKY PETER | The Seasons op.37 (piano) | ||
| TSCHAIKOWSKY PETER | Humoresque op.10,nr.2 (piano) | ||
| TSCHAIKOWSKY PETER | Romans f-moll op.5 (piano) | ||
| TSCHAIKOWSKY PETER | Valse de fleurs (piano) | ||
| TSCHAIKOWSKY PETER | Valse-opera Ευγένιος Ονέγκιν (piano) | ||
| TSCHAIKOWSKY PETER | Chant Sans Paroles op.2,nr.3 (piano) | ||
| TSCHAIKOWSKY PETER | Andante Cantabile op.11 (piano) | ||
| TSCHAIKOWSKY PETER | Morceaux -Ruines d’un Chateau op.2 (piano) | ||
| TSCHAIKOWSKY PETER | Symphonie nr.6 pour grand orchestre (pour piano a 4 mains) | ||
| TSCHAIKOWSKY PETER | Fantaisie de Concert op.56 (2 pianos) | ||
| TSCHAIKOWSKY PETER | Concerto nr.2 op.44 G-dur (2 piano) | ||
| TSCHAIKOWSKY PETER | Concerto for piano op.23 (2 piano) | ||
| TSITINI ARG.D. | Elagia op.2 (piano) | ||
| TSITINI ARG.D. | Nocturno op.2 (piano) | ||
| TULL FISHER | Reflections on Paris (full score) | ||
| TULL FISHER | Studies in Motion (full score) | ||
| TULL FISHER | Credo (full scire) | ||
| TURINA JOAQUIN | Συλλογή κομματιόν τέυχος ΙΙ | ||
| TURINA JOAQUIN | Ciclo pianistico – Concierto sin orquestra-op.88 (piano) | ||
| TURINA JOAQUIN | Danzas fantasticas I – Exaltaction (piano) | ||
| TURINA JOAQUIN | Danzas fantasticas II – Ensueno (piano) | ||
| TURINA JOAQUIN | Contes d’Espagne (piano) | ||
| TURINA JOAQUIN | Ninerias-Petit Suite pour Piano-“Danse des Poupees (piano) | ||
| TURINA JOAQUIN | Sonate romantique sur un theme espagnol (piano) | ||
| VALETTE IOSSIF | Concerto for piano nr. 1 “conservativo” (orchestral score) | ||
| VARVOGLIS MARIOS | Sonatina for piano (piano) | ||
| VEKIARIS MICHAIL | 3 Ελληνικές Θαλασσινές Εικόνες (full score) | ||
| VERDI G. | Rigoletto-potpourri (piano) | ||
| VERDI GIUSEPPE | Ernani Atto III (voice & piano) | ||
| VERDI GIUSEPPE | Ernani Atto II (voice & piano) | ||
| VERDI GIUSEPPE | La Forza del Destino (voice & piano) | ||
| VERDI GIUSEPPE | Un Ballo in Mashera (voice+piano)*2 | ||
| VERDI GIUSEPPE | Credo in un Dio crudel (voice+piano) | ||
| VERDI GIUSEPPE | Il Trovatore (voice+piano) | ||
| VERDI GIUSEPPE | Il Trovadore Parte seconda ” La Gitana” (ful score) | ||
| VERDI GIUSEPPE | Aida (voices 7 piano) | ||
| VERDI GIUSEPPE | Un Ballo in Maschera (voice & piano) | ||
| VERDI GIUSEPPE | Vie Geistliche Stucke (full score) | ||
| VIARDOT PAULINE | Habanera (voice & piano) | ||
| VILLA-LOBOS H. | Concerto pour Guitare et petit orchestre *2 | ||
| VILLA-LOBOS H. | Douze Etudes -12 Etudos pour guitare (solo guitare) | ||
| VILLA-LOBOS HEITOR | Kankukus op.57 (piano) | ||
| VITSOU GIANNI N. | Ζακυνθινά πεντάγραμμα-τραγούδια | ||
| VIVALDI ANTONIO | Motetti a canto solo con strumenti | ||
| VLADIGEROV PANTCHO | Bulgarische Rhapsodie op.16 (piano & violine) | ||
| VLADIGUEROV PANTCHO | 1. Concerto for piano nr 1 op 6.3 2. Concerto for piano nr 2 op 22 | ||
| VLADIGUEROV PANTCHO | Klassisch und Romantisch op.24 (piano) | ||
| VLADIGUEROV PANTCHO | Zehn Impressionen I op.9 (piano) | ||
| VLADIGUEROV PANTCHO | Zehn Impressionen II op.9 (piano) | ||
| VOGLER G.J. | Variations sur l’Air de Marlborougjh (orchestre) | ||
| VOGRICH MAX | Capriccio-staccato (piano) | ||
| VOKOS GEORGE | 3 Morceaux pour piano (come suita) | ||
| WAGNER R. | Ouverture from opera “Tangeizer” (piano) | ||
| WAGNER UNSER | Ertles klavier- Album (piano) | ||
| WALLACE W. VINE | Maritana Ouverture (piano) | ||
| WARLOCK PETER | “Capriol” Suite for String Orchestra | ||
| WASHBURN ROBERT | We Hold These Truths for Chorus and Symphonic Band with Optional Strings (full score) | ||
| WASHBURN ROBERT | Epigon IV (full score) | ||
| WASHBURN ROBERT | March-Opus’76 (full score) | ||
| WASHBURN ROBERT | Saturn V (full score) | ||
| WEBER C.M. VON | Concertstuck for 2 pianos,(2 pianos) | 1941 | |
| WEBER C.M. VON | Ελέφθερος σκοπεφτής” duett (voice & piano) | 1975 | |
| WEBER C.M. VON | Oeuvres -piano werke (piano) | ||
| WEISMANN WILHELM | “Sulamith” Concert fur solo-Sopran,Choir und Orchester (full score) | ||
| WILLIAMS VAUGHAN R. | “Job” A Masque for Dancing (full score) | ||
| WRIGHT ROBERT-FOREREST GEORGE | And this is my beloved (voice+piano) | ||
| XENOS ALECOS | “Chypre ma Grece” Poeme Symphonique (orchestral score)*3 | ||
| ZANI ANDREA | Interpretation libre de la 7 Sonate pour violon et basse continue (violin & piano) | ||
| ZAWADZKI MICHEL | 12 Schoumkas Ukrainiennes XI op.300 (piano) | ||
| ZECHLIN R. | Concerto for piano (full score) | ||
| ZECHLIN R. | Canzoni alla Notte fur Bariton und Orchester (voice & orchester) | ||
| ZELL WOLFGANG | Paradiso τραγούδι & πιάνο | ||
| ZERVOPOULOS FOTIS | 6 Lider * 2 (voice+piano) | ||
| ZIVKOVIC MILENKO | Epikon 1945 (celo+piano) | ||
| ZORAS LEONIDAS | “Τα Παιδιάστικα” Σουίτα για πιάνο (piano) |
| ALMBUM | ORDHODOX SONGS (SRBSKO) |
| ALMBUM | MINIATUR DIRECTIE’S VAN 38 LICHTE LOOPMARSEN SCORE |
| BACH J.S. | THE PASSIONS (BOOK 2) |
| BACH J.S. | MAGNIFICAT IN F MAJOR SCORE |
| BACH J.S. | KONZERT PER VIOLINE SCORE |
| BACH J.S. | KANTATE N.60 SCORE |
| BACH J.S. | KANTATE N.53 SCORE |
| BACH J.S. | KANTATE N.56 SCORE |
| BACH J.S. | THE ART OF FUGUE SCORE |
| BACH J.S. | THE PASSINOS BOOK 1 |
| BACH J.S. | KONZERT FUR VIOLINE |
| BACH J.S. | THE PASSIONS (BOOK 2) |
| BACH J.S. | MAGNIFICAT IN F MAJOR SCORE |
| BACH J.S. | KONZERT PER VIOLINE SCORE |
| BACH J.S. | KANTATE N.60 SCORE |
| BACH J.S. | KANTATE N.53 SCORE |
| BARBU BUCUR S. | PSALTISCHIE RUMANEASCA SCORE |
| BEETHOVEN L. V. | THE RUINS ATHENS OVERTURE SCORE |
| BEETHOVEN L. V. | TRIO N.5 C-MOLL-SCORE |
| BEETHOVEN L. V. | SYMPHONIE N 1 |
| BEETHOVEN L. V. | SYMPHONIE N.4 -SCORE |
| BEETHOVEN L. V. | SYMPHONIE N.9 SCORE |
| BEETHOVEN L. V. | BIOGRAFIE |
| BEETHOVEN L. V. | SYMPHONIE N 6. SCORE |
| BEETHOVEN L. V. | TRIPELKONZERT FUR KLAVIER |
| BEETHOVEN L. V. | THE RUINS ATHENS OVERTURE SCORE |
| BEETHOVEN L. V. | TRIO N.5 C-MOLL-SCORE |
| BEETHOVEN L. V. | SYMPHONIE N 1 |
| BEETHOVEN L. V. | SYMPHONIE N.4 -SCORE |
| BEETHOVEN L. V. | SYMPHONIE N.9 SCORE |
| BERGER W. G. | MUZICA SIMFINICA ROMANTIKA VOL 2 |
| BERGER W.G. | MUSICA SIMFONICA BAROCA |
| BOEDIJN G. | HUBERTUS S. OP 33 SUMPHONISCH GEDICHT |
| BORODIN A. | DANSES POLOVTSIENNES SCORE |
| BORODIN A. | DEUXIME SYMPHONIE SI MINEUR |
| BRAHMS | SYMPHONIE N. 4 E MINORE SCORE |
| BRAHMS J. | KONZERT OP 77 D DUR SCORE |
| BRAHMS J. | SYMPHONIE N 3 F DUR SCORE |
| CHAUSSON E. | SYMPHONIE EN SI BEMOL MAJEUR OP 20-SCORE |
| CHAUSSON E. | SYMPHONIE EN SI BEMOL MAJEUR OP 20-SCORE |
| DARGOMIJSKY A. | BABA JAGA FANTASIE SCHERZO SCORE |
| DITTERSDORF | STREICHQUARTETT ES DUR |
| DOLAN R.E. | MUSIC IN MODERN MEDIA |
| DOLAN R.E. | MUSIC IN MODERN MEDIA |
| DONIZETTI G. | LA RAVORITE OPERA EN 4 ACTES SCORE |
| DUREAU TH. | HARMONIES A FANFARES N I |
| DUREAU TH. | COURS THEORIQUE ET PRATIQUE D’INSTRUMENTAL ET ORCHESTRATION |
| FERMAN.B. | HISTORIE OF A NEW EUROPE MUSIC |
| FERMAN.B. | HISTORIE OF A NEW EUROPE MUSIC |
| FRANCK C. | VARATIONS SYMPHONIQUES POUR PINO ET ORCHESTRE SCORE |
| GAIDI I. | QUARTEO N.17 |
| GAIDI I. | QUARTETO N.45 |
| GAIDI I. | QUARTEO N.17 |
| GAIDI I. | QUARTETO N.45 |
| GROMAN.PEKELHS. | HISTORIE OF RUSSIAS MUSIC |
| GROMAN.PEKELHS. | HISTORIE OF RUSSIAS MUSIC |
| HANDEL G.F. | THE MESSIAHA ORATORIO-SCORE |
| HANDEL G.F. | THE MESSIAHA ORATORIO-SCORE |
| HAYDN I. | SYMPHONIA NR.1 ES-DUR SCORE |
| HAYDN J. | SYMPHONIE N.18 SCORE |
| HAYDN J. | SYMPHONIE N.103 ES DUR SCORE |
| HAYDN J. | SYMPHONIE N.18 SCORE |
| HONEGGER A. | KING DAVID SCORE |
| JANACEK L. | MLADI (JUGEND) SCORE |
| JANACEK L. | SINFONIETTA FOR ORCHESTRA SCORE |
| JANACEK L. | BIOGRAFIE |
| JANACEK L. | MLADI (JUGEND) SCORE |
| KONOLD W. | GERMAN OPERA THEN AND NOW 2 |
| KONOLD W. | GERMAN OPERA THEN AND NOW 2 |
| KOZOBARYB J. | ORTHODOXE SONGS |
| KOZOBARYB J. | ORTHODOXE SONGS |
| LIST F. | PIANO CONCERTO NO.2 SCORE |
| LIVANOVA T. | ΙΣΤΟΡΙΑ ΔΥΤΙΚΗΣ ΕΥΡΩΠΗΣ ΜΕΧΡΙ 1789 |
| LIVANOVA T. | ΚΛΑΣΙΚΗ ΜΟΥΣΙΚΗ 18 ΑΙΩΝΑ |
| LIVANOVA T. | HISTORIE OF EUROPE |
| LIVANOVA T. | HISTORIE OF EUROPE |
| LOUIS LALOU | RAMEAU LES MAITRES DE LA MUSIQUE |
| MAHLER G. | SYMPHONIE N4 |
| MANDAKAS Y. | GREEK CHORAL MUSIC SCORE |
| MENDELSSOHN BARTHOLDY | KONZERT E MOLL FUR VIOLINE MIT ORCHESTR |
| MOUSSORGSKY M.P. | BORIS GODUNOV SCOR |
| MOUSSORGSKY M.P. | BORIS GODUNOV SCOR |
| MOZART W.A. | SYMPHONIE D WITHOUT MENUETTO – SCORE |
| MOZART W.A. | OUVERTURE THE MARRIAGE OF FIGARO SCORE |
| MOZART W.A. | SYMPHONIE G MOLL |
| MOZART W.A. | DIVERTIMENTO FUR B DUR |
| MOZART W.A. | SYMPHONIE D WITHOUT MENUETTO – SCORE |
| MOZART W.A. | OUVERTURE THE MARRIAGE OF FIGARO SCORE |
| MUSIC IN BRITAIN | A QUARTERLY REVIEW |
| MUSSORGSKY M.P. | TABLEAUX D’UNE EXPOSITIO SCORE |
| MUSSORGSKY M.P. | TABLEAUX D’UNE EXPOSITIO SCORE |
| POSTON ELIZABETH | THE PENGUIN BOOK OF CHRISMAST CAROLS |
| POSTON ELIZABETH | THE PENGUIN BOOK OF CHRISMAST CAROLS |
| POULENC F. | SUITE FRANCAISE SCORE |
| PROD’HOMME J. G. | LES SYMPHONIE DE BEETHOVEN |
| PROGRAMELE | DISCIPLINELOR DE SPECIALITATE DI MUSICA |
| RAVEL M. | DAPHNIS A CHLOE SCORE |
| RIEMANN | CATECHISM OF MUSICAL HISTORY N.2 |
| RIMSKI-KORSAKOV NIKOLAY | PRINCIPLES OF ORCHESTRATION |
| ROREM NED | MUSIC AND PEOPLE |
| ROREM NED | MUSIC AND PEOPLE |
| ROSSINI G. | OUVERTURE ZUR OPER DER BARBIER VON SEVILLA |
| ROUSSEL A. | SYMPHONIE EN SOL MINEUR POUR ORCHESTRE SCORE |
| SAINT SAENS C. | 2 CONCERTO OP 22 SCORE |
| SCHUBERT F. | SYMPHONIE C DUR SCORE |
| SCHUBERT F. | OCTET OPUS 166 SCOR |
| SCHUBERT F. | SYMPHONIE C DUR SCORE |
| SCHUMANN R. | SYMPHONIE NO4 OP.120 D MOL SCORE |
| SCHWARTZ ELLIOTT & CHILDS BARNEY | CONTEMPORARY COMPOSERS ON CONTEMPORARY MUSIC |
| SKREBKOV S. | ΠΟΛΥΦΩΝΙΚΕΣ ΑΝΑΛΥΣΕΙΣ |
| SOKOLOF I. | PRELUDES-SCORE |
| SOKOLOF I. | PRELUDES-SCORE |
| SOMERWELL A. | ELGER INSTRUMENTAL WORKS |
| STATEJ C. | THE PROBLEMS OF BEETHOVEN STYLE |
| STATEJ C. | THE PROBLEMS OF BEETHOVEN STYLE |
| STEFFEN W. | GRIECHISCHE KANTATE SCORE |
| STRAVINSKY I. | PULCINELLA SUITE FOR ORCHESTRA SCORE |
| STRAVINSKY I. | PULCINELLA SUITE FOR ORCHESTRA SCORE |
| TADDEO WIEL | I TEATRI MUSICALI VENEZIANI DEL SETTECENTO |
| TARANOV GLEB | ΕΝΟΡΧΗΣΤΡΩΣΗ |
| TCHAIKOWSKY P.I. | SYMPHONY 4F MINOR OPUS 36 SCORE |
| TCHAIKOWSKY P.I. | SYMPHONIE N 6 -PATHETIQUE-SCORE |
| TCHAIKOWSKY P.I. | SYMPHONIE N 5 E-MOLL SCORE |
| TCHAIKOWSKY P.I. | SYMPHONY 4F MINOR OPUS 36 SCORE |
| TCHAIKOWSKY P.I. | SYMPHONIE N 6 -PATHETIQUE-SCORE |
| TCHAIKOWSKY P.I. | SYMPHONIE N 5 E-MOLL SCORE |
| TIOULINI. | ΑΡΜΟΝΙΑ |
| VINOGRADOV A. | DEFAIMAREA LUI PAGANINI |
| VOLLHARDT REINHARD | GESCHICHTE DER CANTOREN UND ORGANISTEN VON DEN STEDTEN |
| VOLLHARDT REINHARD | GESCHICHTE DER CANTOREN UND ORGANISTEN VON DEN STEDTEN |
| WAGNER R. | L’ANNEAU DU NIBELOUNG |
| WAGNER R. | OUVERTOURE DIE MEISTERSINGER SCORE |
| ΚΩΝΣΤΑΝΤΙΝΙΔΗΣ Γ. | 8 ΔΩΔΕΚΑΝΗΣΙΑΚΑ ΤΡΑΓΟΥΔΙΑ |